I noticed the brand new movie Margin Name this weekend, a restrained, engrossing story primarily based on Lehman Brothers’ sell-off of poisonous property, which helped precipitate the 2008 collapse. On the middle of the story is Sam Rogers, a life-long Wall Streeter performed by Kevin Spacey. Early within the movie, we see Sam resting his head on the neck of his chocolate Labrador, who sleeps on a veterinarian’s gurney. We all know the canine has most cancers. It’s a unhappy, human and utterly surprising second in a movie about ambition, greed and overreaching.
For almost all of the story, Sam’s relationship together with his canine is likely one of the few private details we find out about him (or anybody), and it’s the solely expression of genuine affection and empathy within the image. It communicates Sam’s capability for love. On the identical time, he’s not on the bedside of a kid or a spouse, neither is anybody with him when he visits the canine. So we additionally know, he’s right down to a final chip or two when it comes to his loving connections. In just some frames, author/director J.C. Chandor achieved a lot—which received me fascinated with what canines imply to us and the way usually they’re used to elucidate human character in motion pictures, tales and, extra cynically, promoting. Canines are one of many methods we outline ourselves—for higher or for worse. On this case, for higher.
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